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In the Country of Men, by Hisham Matar
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Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie?
Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television.
In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.
- Published on: 2007-05-04
- Format: Unabridged
- Original language: English
- Running time: 472 minutes
From Publishers Weekly
Starred Review. Shortlisted for the 2006 Man Booker Prize, Matar's debut novel tracks the effects of Libyan strongman Khadafy's 1969 September revolution on the el-Dawani family, as seen by nine-year-old Suleiman, who narrates as an adult. Living in Tripoli 10 years after the revolution with his parents and spending lazy summer days with his best friend, Kareem, Suleiman has his world turned upside down when the secret police–like Revolutionary Committee puts the family in its sights—though Suleiman does not know it, his father has spoken against the regime and is a clandestine agitator—along with families in the neighborhood. When Kareem's father is arrested as a traitor, Suleiman's own father appears to be next. The ensuing brutality resonates beyond the bloody events themselves to a brutalizing of heart and mind for all concerned. Matar renders it brilliantly, as well as zeroing in on the regime's reign of terror itself: mock trials, televised executions, neighbors informing on friends, persecution mania in those remaining. By the end, Suleiman's father must either renounce the cause or die for it, and Suleiman faces the aftermath of conflicts (including one with Kareem) that have left no one untouched. Suleiman's bewilderment speaks volumes. Matar wrests beauty from searing dread and loss. (Feb.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School—This is the story of the impact of small revolutions, not on the men and women who participate in the upheavals, but on the children who barely understand the world in which they find themselves. Suleiman is a nine-year-old in Qaddafi's Libya, proud of his country and his father, and worried about his mother's "illness." He is unprepared to understand the danger his father, a believer in democracy, is in, or the role that he, just a child, must play to protect his family. What is most disturbing is that he must play the games of adults, but without knowing the rules. There is no heroism here, only fear, betrayal, and mistrust. This is a difficult book: the characters are fatally flawed, the plot revels in the gray area of a child's memories and immature perceptions, and in the end there is little redemption. The plot unfolds credibly through the boy's eyes, and it is readers who shed light on the secrets. There is no judgment, and yet there is a heavy patina of guilt in the narrative. Well written, with evocative descriptions of heat and landscape that intensify readers' experience, the story lingers long after the book is closed. Teens serious about understanding the complex nature of patriotism will find much to ponder here.—Mary Ann Harlan, Arcata High School, CA
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Short-listed for both the 2006 Man Booker Prize for Fiction and the Guardian First Book Award, Hisham Matar's novel, widely published, raises comparisons to Khaled Hosseini's The Kite Runner (***1/2 Sept/Oct 2003). Critics agree that Matar's poetic, visual prose reflects a skill and maturity often lacking in first novels. Of the two points of view which Matar employs, the perspective of the young child narrator is effective and at times even chilling, as the baffled and terrorized Suleiman attempts to unravel the complexities of the adult world and the brutality of Libyan politics. Certainly Matar, who left Libya at age nine and whose father was also a political dissident, shares characteristics with his protagonist. The only flaw? A relatively weak conclusion.
Copyright � 2004 Phillips & Nelson Media, Inc.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Read Anatomy of a Disappearance instead by Matar
By D. Crowell
Matar is an extremely well educated thoughtful writer with profound ideas and a sense of poetry. His novels tend to be written in the POV of a young boy and he is incredibly successful in drawing the reader in to his writing. There is a sense of poetry and sensuality in his writing that one rarely finds today. Matar makes one think and re-examine how one lives in the world. His attention to detail is remarkable and his powers of observation eye-opening. This is clearly a debut novel. The young boy's actions and motivations are not believable and the storyline frustrates. Matar definely has worthwhile things to say and there are scenes in the novel that really work. Sadly, there are many that do not work. I found myself feeling perplexed by the actions and thoughts of his young boy narrator. At times the boy behaved as though he were younger, and at other times he behaved as though he were old and wise well beyond his years. There is a voice problem in the first novel that is missing in Anatomy of a Disappearance. I read Anatomy of a Disappearance first and was therefore disappointed by the uneven quality of In the Country of Men.
In "", Matar's style matured and he solves his "voice" issues, creating a believable character that we can empathize with. In Anatomy of a Disappearance, love in all its vicissitudes is explored. I read "Anatomy: in one day despite the slow opening (first 20 pages or so). More than anything, Matar's writing expresses a wonderful humanity. His accounts of what it is like to have a parent (disappear) explores the idea that absence can become more overpowering than presence. Read Matar. You won't regret it. But read Anatomy of a Disappearance instead. It is so much better in every way and definitely deserved the honor of Booker Short List that it received. It is a book that will stay with you.
1 of 1 people found the following review helpful.
An authentic description of Libyan traumata
By cwm
I moved recently to Libya and gave the book to each of my children so they can better understand the injuries that 20+ years of Qaddhafiism have inflicted on Libya and its kind inhabitants. Memories of repression, arbitrariness, betrayal and brutality still haunt the Libyans as they are struggling to rebuild a free and inclusive State and to regain respect for themselves and for their fellow citizens. The fact that the book's narrator is a young boy makes the whole story even more haunting. His innocence is increasingly perverted by the poisonous environment that surrounds him, and he is even tempted to accept the brutality and cynicism of the oppressors as a masculine role model. In this country of men, it is ironically the boy's mother - a lady crushed by the double yoke of a male society and of a repressive State apparatus - who turns out to be the "strong" character. She paves the way to a more humane future, by instilling maternal love in a world of hate, and by eventually rescuing the boy from the grips of a totalitarian system. This too - the role of women and of victims in the reconstruction of a conflict-torn society - is an important lesson for present-day Libya.
2 of 2 people found the following review helpful.
The mind of a child portrayed by a literary master
By Joel Marks
This is an excellent novel, a work of literature. It is deceptively simple in form, content, and style, the latter a requisite since it is narrated by a 9-year-old boy. The skill of the author must be consummate to have been able to convey at one and the same time an immature and bewildered childish consciousness and sufficiently detailed (not to mention eloquent) observations of what was going on around him, and inside him, for the reader to understand it all at a mature level.
Besides simply saying well done, my main reason for writing this "review" (just a comment, really) is to draw a comparison to Martha McPhee's equally wonderful debut novel, Bright Angel Time. Although about a very different "scene" (a 1970 American road trip versus 1979 Libya) and featuring an 8-year-old girl narrator who is far more "with it" than the 9-year-old boy, McPhee's book is identical in brilliantly portraying the quick shifts of feeling and attitude ("I love her." "I hate her.") that characterize a non-fully-formed personality (and, if truth be told, probably characterize most adult consciousnesses as well).
I guess I'll add one more comparison, since this is a recent discovery for me of a genre I had no particular reason to think I would dig (having chosen each of these books because of their overt theme - the road trip, Libya, and a World War II what-if -- rather than the nature of their narrator): Philip Roth's The Plot Against America. Mine is probably very much a minority report, but this is my favorite novel of Roth's by far, and again, it is the portrayal of a child's take on the world that I found particularly masterful (although the plot and episodes of the book are also amazing in their richness).
Yet another postscript: How can I have forgotten to mention Dickens' David Copperfield? -- not only another extraordinary portrayal of the consciousness of a child (and beyond) but also just possibly my favorite novel of all time.
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